{"id":29,"date":"2021-01-13T18:50:51","date_gmt":"2021-01-13T18:50:51","guid":{"rendered":"http:\/\/yvesmusard.com\/?page_id=29"},"modified":"2023-03-28T14:17:45","modified_gmt":"2023-03-28T14:17:45","slug":"bio","status":"publish","type":"page","link":"https:\/\/yvesmusard.com\/?page_id=29","title":{"rendered":"Bio"},"content":{"rendered":"<p><strong>YVES MUSARD<\/strong><br \/>\nYvesmusard.com<br \/>\n@musardyves Instagram<\/p>\n<p>2023<br \/>\nSolo Performance, Artist Abbey Gallery, Truth or Consequences, New Mexico<\/p>\n<p>2022<br \/>\nPerformance for &#8220;Experimental\u00a0Arts Weekend&#8221; &#8211; Artist Abbey Gallery, Truth or Consequences, New Mexico<\/p>\n<p>&#8220;Le Jeudi de la Collection&#8221; &#8211; Live performance \/film premier, Collection Lambert, Avignon, France<\/p>\n<p>Round Table &#8211; Lecture participant and collaborative video screening, Organized by the Volubilis Association, Niort, France<\/p>\n<p>2020<br \/>\n&#8220;Human Signs\u201d &#8211; Virtual video performance organized by Yuval Avital Studio, Milan, Italy<\/p>\n<p>2019<br \/>\nSHADOW \/ RIO BRAVO FINE ARTS \/ TRUTH OR CONSEQUENCES<\/p>\n<p>OF THE PLAZA BY THE PLAZA FOR THE PLAZA \/ SEGMENT DE TRAVERSE \/ PROARTS AND COMMONS \/ OAKLAND \/ CALIFORNIA\/ USA<\/p>\n<p>DESERT ARCHAIC \/ TRUTH OR CONSEQUENCES \/ NEW MEXICO<\/p>\n<p>PUBLIC WORKS\/ PARK BENEDETTI\u00a0 \/LES CATALANS PLAGE\/FRANCE<\/p>\n<p>INTERVIEW \/ AVEC LAURENT SEBILLOTTE \/ CND \/ PARIS PANTIN \/ FRANCE<\/p>\n<p>2018<br \/>\nPUBLIC WORKS \/ PARK BENEDETTI \/LES CATALANS PLAGE \/ MARSEILLE \/ FRANCE<\/p>\n<p>2017<br \/>\nSPATIAL VISIT IN UNTIL NOW \/ RETROSPECTIVE \/ GREG MONTREUIL<br \/>\nRIO BRAVO FINE ART \/ TRUTH OR CONSEQUENCES \/ NEW MEXICO \/ USA<\/p>\n<p>2016<br \/>\nSEGMENT DE TRAVERSE IN COLLECTION YVON LAMBERT \/ AVIGNON FRANCE<br \/>\nIN NUIT EUROPEENNE DES MUSEES \/ MAC MARSEILLE \/ FRANCE<br \/>\nIN \/ JOURNEES DU PATRIMOINE \/ MAC MARSEILLE \/ FRANCE<\/p>\n<p>2015<br \/>\nPERFORMANCE IN LUNGS FESTIVAL \/ EL SOL BRILLANT COMMUNITY GARDEN \/ EAST VILLAGE \/ NEW YORK CITY \/ USA<\/p>\n<p>2014<br \/>\nSTEEL\/\/SPIRIT IN RICHARD SERRA \u2019S INSIDE OUT \/ GAGOSIAN GALLERY 21ST NEW YORK \/ USA<br \/>\nMOVEMENT CATALOGUE IN WRESTLING WITH SPACE \/ GREG MONTREUIL \/ GALLERY DU TABLEAU \/ MARSEILLE \/ FRANCE<br \/>\nIN ROURKE MUSEUM GALLERY \/ MOORDHEAD \/ USA<\/p>\n<p>2013<br \/>\nPERFORMANCE IN RICHARD SERRA\u2019S INSIDE OUT \/ GAGOSIAN GALLERY 21ST STREET \/ NEW YORK USA<br \/>\nSITE SPECIFIC\/MULFORD FARM\/MOBY PROJECT\/ EAST HAMPTON\/LONG<br \/>\nISLAND \/ USA<br \/>\nMOVEMENT CATALOGUE \/NEOTERIC GALLERY\/AMAGANSETT\/LONG ISLAND \/ US<br \/>\nSPATIAL VISIT \/ WORKS BY DELMAS HOWE \/ FILM DE JULIE DURHAM \/ RIO BRAVO GALLERY \/ TRUTH OR CONSEQUENCES \/ NEW MEXICO \/ USA<\/p>\n<p>2012<br \/>\nCAPTURE \/ THE INVISIBLE BALL IN THE WORKS OF GREG MONTREUIL\/ RIO BRAVO FINE ART \/ TRUTH OR CONSEQUENCES \/ NEW MEXICO \/ USA<\/p>\n<p>2011<br \/>\nCAPTURE \/ THE INVISIBLE BALL \/ COLLECTION YVON LAMBERT \/ AVIGNON \/ FRANCE<br \/>\nTIME LINE \/ IN THE WORKS OF VITTORIO SANTORO<br \/>\nCAMPAGNE-PREMIERE \/ BERLIN \/ GERMANY<br \/>\nJUXTAPOSITION \/ IN THE WORKS OF JOE WALDRUM<br \/>\nRIO BRAVO FINE ART \/ TRUTH AND CONSEQUENCES \/ NEW MEXICO \/ USA<br \/>\nPERFORMANCE \/ IN THE WORKS OF GREG MONTREUIL<br \/>\nSTUDIO 308 \/ LAS CRUCES \/ NEW MEXICO USA<\/p>\n<p>2010<br \/>\nJUXTAPOSITION \/ IN THE WORKS OF GREG MONTREUIL<br \/>\nBAGPIPE DAVID WATSON \/ RIO BRAVO FINE ART \/ TRUTH OR CONSEQUENCES \/ NEW MEXICO \/ USA<\/p>\n<p>2009<br \/>\nIMPRESSIONS D\u2019UN HOMME DEHORS<br \/>\nBAGPIPE \/ DAVID WATSON LIVE<br \/>\nDOMAINE DE CHAMARANDE<br \/>\nCHAMARANDE \/ FRANCE<\/p>\n<p>2008<br \/>\nIMPRESSIONS D\u2019UN HOMME DEHORS \/ PERFORMANCE \/ TRAJECTORY IN NEIGHBORHOOD \/ PERFORMANCE CHEZ BUSHWICK<br \/>\nBROOKLYN \/ NEW YORK \/ USA<\/p>\n<p>REPERCUSSION \/ AT THE LIVING THEATER ON RIVINGTON STREET<br \/>\nPART OF THE VISION FESTIVAL \/ NEW YORK USA<br \/>\nREPERCUSSION \/ AT RAPTURE \/ ON AVENUE A bet 12THAND 13TH<br \/>\nNEW YORK CITY\/ USA<\/p>\n<p>2007<br \/>\nIMPRESSIONS D\u2019UN HOMME DEHORS \/ REPERCUSSION \/ PERFORMANCE INTERIEURE<br \/>\nSCENE NATIONALE \/ ST BRIEUC \/ FRANCE<\/p>\n<p>BIENNALE DE L\u2019ABBAYE DE BON REPOS \/ LE CLOITRE \/ CENTRE BRETAGNE \/ FRANCE<\/p>\n<p>REPERCUSSION \/ DEHORS DEDANS \/ SCULPTURE JEAN-MARC<br \/>\nGALERIE DU DOURVEN \/ COTES D\u2019ARMOR \/ BRITTANY \/ FRANCE<\/p>\n<p>WALKING TRAJECTORY 3HRS FROM THE LEGUE \/ THE SEA TO THE CENTER OF ST BRIEUC FRANCE<\/p>\n<p>ECHAPPEE DANS LE QUARTIER BERRIAT\/NEIGHBORHOOD<br \/>\nCITE \u2013 DANSES \/ GRENOBLE \/ FRANCE<\/p>\n<p>2006<br \/>\nUNITE DE LIBRE ESPACE \/ FREE SPACE UNIT \/ PERFORMANCE \/ STAR TRECK THEATER \/ MAINS D\u2019OEUVRES<br \/>\nUSINE ARTISTIQUE \/ ST OUEN \/ FRANCE<\/p>\n<p>2005<br \/>\nHOMMAGE \/ GALLERIE 128 \/ LOWER EAST SIDE \/ NEW YORK CITY \/ USA<\/p>\n<p>UNITE DE LIBRE ESPACE \/ MOVEMENT RESEARCH FESTIVAL<br \/>\nNEW YORK \/ USA<\/p>\n<p>2004<br \/>\nGALAXIE PEARL WITH GUESTS<br \/>\nMUSIC COMPOSITION DAVID WATSON<br \/>\nDANSPACE PROJECT \/ ST MARKS CHURCH<br \/>\nNEW YORK \/ USA<\/p>\n<p>FREE SPACE UNIT<br \/>\nBAGPIPE DAVID WATSON<br \/>\nAT VOLUME \/ BROOKLYN NEW YORK \/ USA<br \/>\nMAINS DOEUVRES \/ ST OUEN \/ FRANCE<\/p>\n<p>2003<br \/>\nFREE SPACE UNIT \/ UNITE DE LIBRE ESPACE<\/p>\n<p>AT MAINS D\u2019OEUVRES \/FACTORY ARTISTIC<br \/>\nST OUEN \/ PARIS \/ FRANCE<\/p>\n<p>STUYVESANT COVE\/ SOLAR POWERED PERFORMANCE SERIES<br \/>\nNEW YORK \/ USA<br \/>\nFIDMARSEILLE \/ MODMARSEILLE \/ FRANCE<\/p>\n<p>IMPRESSIONS D\u2019UN HOMME DEHORS \/ JIMMIE DURHAM \/ MOVEMENT INSTALLATION<br \/>\nMUSEE D\u2019ART CONTEMPORAIN \/ MAC MARSEILLE \/ FRANCE<\/p>\n<p>2002<br \/>\nIMPRESSIONS D\u2019UN HOMME DEHORS \/ FRANZ WEST<br \/>\nMUSEE D\u2019ART CONTEMPORAIN \/ MAC<br \/>\nMARSEILLE \/FRANCE<\/p>\n<p>MOVEVEMENT INSTALLATION \/ LA VILLA DU PARC<br \/>\nANNEMASSE FRANCE<\/p>\n<p>GALAXIE PEARL WITH GUESTS<br \/>\nMUSICAL COMPOSITION DAVID WATSON<br \/>\nAT THE JOYCE SOHO<br \/>\nNEW YORK \/ USA<\/p>\n<p>DEAMBULATION WITH DOMINIQUE PAGE \/ TRAJECTORY<br \/>\nMAMCO \/ MUSEE D\u2019ART CONTEMPORAIN DE GENEVE 2ND FLOOR<br \/>\nGENEVE \/ SUISSE<\/p>\n<p>2001<br \/>\nLES GLANEURS \/ MOVEMENT INSTALLATION<br \/>\nDENNIS O\u2019CONNOR \/ YVES MUSARD \/ MOUVEMENT<br \/>\nDAVID WATSON \/ BAGPIPE \/ MARSEILLE OBJECTIVE DANSE\/ MOD<br \/>\nAT LA FRICHE \/ LA BELLE DE MAI \/ MARSEILLE \/ FRANCE<\/p>\n<p>DEAMBULATION WITH DOMINIQUE PAGE<br \/>\nAT MAMCO\/ MUSEE D\u2019ART CONTEMPORAIN DE GENEVE\/ 3RD FLOOR<br \/>\nGENEVE SUISSE<\/p>\n<p>2000<br \/>\nLE BOLIDE<br \/>\nWITH ERIC M<br \/>\nAT CITE RADIEUSE\/LE CORBUSIER<br \/>\nWITH LES ATELIERS D\u2019ARTISTE DE LA VILLE DE MARSEILLE<br \/>\nMARSEILLE FRANCE<\/p>\n<p>1999<br \/>\nSPOTS AND LOOPS<br \/>\nFOOFWA D\u2019IMMOBILITE \/ MOUVEMENTS \/ SAXOPHONE \/ MARINI<br \/>\nMAMCO \/ MUSEE D\u2019ART CONTEMPORAIN DE GENEVE<br \/>\nGENEVE SWITZERLAND<\/p>\n<p>1998<br \/>\nSPLINTER<br \/>\nWITH SAXOPHONIST GIANNI GEBBIA<br \/>\nKNITTING FACTORY<br \/>\nCBGB GALLERIE NEW YORK\/USA<\/p>\n<p>1997<br \/>\nTHE INVISIBLE BALL<br \/>\nAT DIXON PLACE<br \/>\n&amp;CONTEXT STUDIO &amp; MARTHA@MOTHER \/ NEW YORK CITY \/ NY USA<\/p>\n<p>FESTIVAL LES INNACCOUTUMES<br \/>\nMENAGERIE DE VERRE \/ PARIS \/ FRANCE<\/p>\n<p>1997<br \/>\nLUNCH DANCE<br \/>\nWITH SAXOPHONIST NED ROTHENBERG<br \/>\nAT DIA CENTER FOR THE ARTS NEW YOK CITY \/USA<\/p>\n<p>1996<\/p>\n<p>MOVEMENT INSTALLATION AROUND THE BLOCK \/ A SPATIAL TOUR YVES MUSARD \/ MOUVEMENT<br \/>\nGLENN PETRY MUSICAL COMPOSITION<br \/>\nAT DIA CENTER FOR THE ARTS \/ NEW YORK CITY \/ USA<\/p>\n<p>EN PLEIN VIDE<br \/>\nSAXOPHOSNIST NED ROTHENBERG<br \/>\nAT FONDATION CARTIER<br \/>\nPARIS\/FRANCE<\/p>\n<p>1995<br \/>\nREGARD FOR A JOURNEY<br \/>\nWITH SAXOPHONIST NED ROTHENBERG<br \/>\nBOLZANO DANZA BOLZANO\/ITALY<br \/>\nBOLZANO \/ITALY<\/p>\n<p>AT DIA CENTER FOR THE ARTS\/ NEW YORK \/ USA<\/p>\n<p>THE BROADWAY PROJECT<br \/>\nFROM 168TH STREET TO 215TH STREET \/ NEW YORK \/ USA<\/p>\n<p>1994<br \/>\nLES ANGLES DU CIEL<br \/>\nSAXOPHONIST NED ROTHENBERG<br \/>\nAT MOVEMENT RESEARCH AT JUDSON CHURCH<br \/>\nNEW YORK \/ USA<\/p>\n<p>1993<br \/>\nLE REGARD<br \/>\nWITH ARTIST LOTHAR BAUMGARTEN<br \/>\nAT GUGGENHEIM MUSEUM\/UPTOWN<br \/>\nNEW YORK \/ USA<\/p>\n<p>1992<br \/>\nLA PROMENADE<br \/>\nWITH DENNIS O\u2019CONNOR, SARAH PERRON<br \/>\nMUSIC INSTALLATION EVE-MARIE BREGLIA<br \/>\nDAN GRAHAM ROOF TOP URBAN PARK PROJECT<br \/>\nAT DIA CENTER FOR THE ARTS NEW YORK CITY \/ USA<\/p>\n<p>ATOMIC TRALALA \/ SOLO<br \/>\nAT CENTRE D\u2019ART CONTEMPORAIN DE SANTA FE\/CCA<br \/>\nMUSIC EVE-MARIE BREGLIA<br \/>\nSET GREG MONTREUIL<\/p>\n<p>ATOMIC TRALALA WITH DANCERS \/ SARAH PERRON \/ ANDY MARHAM \/ WALTER DUNDERVILLE \/ GABRIELE OECHSLE \/ FINE KIATOWSKY<br \/>\nAT THE GAS STATION \/ NEW YORK CITY \/ USA<\/p>\n<p>1991<br \/>\nENGLISH PROMENADE<br \/>\nDAN GRAHAM ROOF TOP URBAN PARK PROJECT \/ SOLO YVES MUSARD<br \/>\nAT DIA CENTER FOR THE ARTS NEW YORK CITY\/USA<\/p>\n<p>1990<br \/>\nSOLID AIR<br \/>\nTHEATRE ANTIQUE \/ PLACE BELLECOUR \/ PARDIEU<br \/>\nWITH 15 DANCERS OF EMPLOYMENT AGENCY<br \/>\nAND SARAH PERRON \/ GABRIELE OECHSLE \/ ANDY MARKHAM<br \/>\nDANCE BIENNALE OFF INVITED BY MICHEL HALLET EGHAYAN<br \/>\nLYON \/ FRANCE<\/p>\n<p>AT SUZANNE DELALL THEATER\/ TEL AVIV\/ ISRAEL<br \/>\nWITH EHUD BANAI AND BAND<br \/>\nINVITED BY THE FRENCH CULTURAL SERVICES<\/p>\n<p>JARDIN DE VILLE \/ PUBLIC GARDEN \/ GRENOBLE FRANCE<\/p>\n<p>DIA CENTER FOR THE ARTS (SOHO) NEW YORK CITY \/ USA<br \/>\nMUSIC COLLAGE \/ EVE-MARIE BREGLIA<br \/>\nWITH SARAH PERRON \/ GABRIELE OECHSLE \/ WALTER DUDNDERVILLE<\/p>\n<p>1989<br \/>\nVA<br \/>\nCREATED FOR THE BICENTENIAL OF THE FRENCH REVOLUTION<br \/>\nMUSIC BY EVE MARIE BREGLIA<br \/>\nGABRIEL BERRY \/ DANCERS \/ SARA PERRON \/ GABRIELE OECHSLE \/WALTER DUNDERVILLE<br \/>\nAT THE AMERICAN DANCE FESTIVAL<br \/>\nDURHAM \/ NC \/ USA<\/p>\n<p>AT YELLOW SPRINGS INSTITUTE<br \/>\nYELLOW SPRINGS\/ PENSYLVANNIE \/ USA<\/p>\n<p>DUET YVES MUSARD<br \/>\nWITH FINE KWIATOWSKY<br \/>\nJOURNEES DES ARTISTES DE L\u2019ALLEMAGNE DE L\u2019EST<br \/>\nCELEBRATION OF THE END OF THE WALL WITH THE ARTIST OF EAST GERMANY<br \/>\nAT GRANDE HALLE DE LA VILETTE \/ PARIS \/ FRANCE<\/p>\n<p>1988<br \/>\nTHE MAN WHO BELIEVED HE COULD MOVE<br \/>\nMUSIC BY EVE-MARIE BREGLIA<br \/>\nPROJECTED PAINTING BY JOSEPH NECHVATAL<br \/>\nAT DIA CENTER FOR THE ARTS<\/p>\n<p>AT LES BRIGITTINES FESTIVAL BRUSSELS \/ BELGIUM<\/p>\n<p>AT FRENCH CULTUREL CENTER EAST BERLIN \/ EAST GERMANY<\/p>\n<p><strong>COMMISSIONS, GRANTS &amp; RESIDENCIES<\/strong><\/p>\n<p>2016<br \/>\nSegment de traverse, travail sur 6 mois dans la Collection Yvon Lambert a Avignon.<\/p>\n<p>2016<br \/>\nSteel Spirit film de Keri Pickett dans l\u2019exposition de Richard Serra Inside ,out (2013)<br \/>\nA la Gallery Gagosian ,New York, USA<\/p>\n<p>2009<br \/>\nThe Man who believed he could move film by Cinematheque Francaise de la Danse<br \/>\nDomain of Chamarande, Parc and village Commission from Conseil General of Essonne, France<br \/>\n2007 La passerelle\/scene nationale of St Brieuc oddc residency ,Galerie du dourver Cotes d\u2019Armor<br \/>\nResidency at Mains d\u2019oeuvres, st Ouen, France<br \/>\nGalaxie Pearl,commission Danspace Project, New York, USA<br \/>\nMay 1st 2004 Free Space Unit, Celebration for the enlargement of Europe<br \/>\nAt Volume, Brooklyn, USA<\/p>\n<p>2001<br \/>\nThe Gleaners, commission\/residency by Marseille Objectif Danse<\/p>\n<p>2000<br \/>\nResidency at Ateliers d\u2019Artistes de la Ville de Marseille<\/p>\n<p>1999<br \/>\nSpots and loops<br \/>\nCommission from ADC danse\/Mamco, Geneva , Switzerland<\/p>\n<p>1996<br \/>\nResidency at the Carl Djerassi Foundation,CA<\/p>\n<p>1995<br \/>\nGrant from the Manhattan Community Arts fund<\/p>\n<p>1994<br \/>\nGrant from the Manhatan Community Arts Fund<\/p>\n<p>1992<br \/>\nLa Promenade commissioned by Dia Center for the Arts<br \/>\nNew York Foundation for the Arts Fellowship<\/p>\n<p>1989<br \/>\nVa commissioned by the American dance Festival, Durham,NC<br \/>\nResidency at Yellow Springs Institute, Penn USA<\/p>\n<p>1988<br \/>\nThe Man Who Believed He Could Move commissioned by Dia Center for the Arts<br \/>\nWith funding from the New York State Council for the Arts<br \/>\n1987 residency at The Yard, Martha\u2019s Vineyard, MA<\/p>\n<p>1986<br \/>\nAntipodes commissioned by Theatre Jean-Marie Serreau, Paris , France<br \/>\nEastern European tour sponsored by the French Cultural Center in Budapest<\/p>\n<p>1985<br \/>\nGrant from the Ministry of Culture, France<br \/>\n1815 commissioned by Theatre Contemporain de la Danse, Paris , France<\/p>\n<p>1984<br \/>\nGrant from the French Ministry of Foreign Affairs<br \/>\n1983<br \/>\nScholarship from the French Ministry of Foreign Affairs<\/p>\n<p>1982<br \/>\nDetails, an art magazine sponsored by the Museum of Paintings and Sculptures<br \/>\nGrenoble, France<\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/yvesmusard.com\/wp-content\/uploads\/2023\/03\/YVES-MUSARD-RESUME.pdf\">DOWNLOAD PDF<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>YVES MUSARD Yvesmusard.com @musardyves Instagram 2023 Solo Performance, Artist Abbey Gallery, Truth or Consequences, New Mexico 2022 Performance for &#8220;Experimental\u00a0Arts Weekend&#8221; &#8211; Artist Abbey Gallery, Truth or Consequences, New Mexico &#8220;Le Jeudi de la Collection&#8221; &#8211; Live performance \/film premier, &hellip; <a href=\"https:\/\/yvesmusard.com\/?page_id=29\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-29","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/yvesmusard.com\/index.php?rest_route=\/wp\/v2\/pages\/29","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/yvesmusard.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/yvesmusard.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/yvesmusard.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/yvesmusard.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=29"}],"version-history":[{"count":4,"href":"https:\/\/yvesmusard.com\/index.php?rest_route=\/wp\/v2\/pages\/29\/revisions"}],"predecessor-version":[{"id":84,"href":"https:\/\/yvesmusard.com\/index.php?rest_route=\/wp\/v2\/pages\/29\/revisions\/84"}],"wp:attachment":[{"href":"https:\/\/yvesmusard.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=29"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}